The thumb swipes up, freezes, then drags down again, a rhythmic twitch that has nothing to do with the tectonic majesty looming 3779 meters above my head. My left boot is sinking into a patch of slush that’s probably 19 degrees colder than my pride, but I can’t move. I’m waiting for the little white circle to complete its rotation. I’m waiting for the cloud to accept my offering of a 9-second clip of a mountain that has existed for roughly 100,009 years. Fuji is there, indifferent and massive, but I am not with Fuji. I am with the progress bar. I am with the phantom audience of 229 people, most of whom are currently sitting on a beige sofa or waiting for a microwave to ding, who will glance at this mountain for a fraction of a second before moving on to a video of a golden retriever eating a watermelon.
There is a specific, quiet desperation in trying to look like you are having the time of your life while your battery percentage drops to 9% and your hands are too cold to actually feel the texture of the souvenir you just bought. We’ve become unpaid broadcasters of our own leisure. We are the camera crew, the editor, the lighting technician, and the star of a show that has no budget and no actual airtime beyond the ephemeral flicker of a story. It’s an exhausting job. I felt